YOUR PERSONAL MUSIC MAESTRO
LUTVIK
Find your sound.
Follow your curiosity.
Scales, small sparks, and somewhere to land.
Ready to jam.
Timing & sound
Quarter-note BPM in JAM: 6/8 clicks eighths, triplet grid clicks thirds. Synthetic practice tones; genre choices are a teaching library, not a backing band.
G · Green anchor / Y · Yellow connection / R · Red spice. Root-relative choices; tension is expressive, not forbidden.
★ Playing · ◇ Next phrase target. Scroll the instrument to explore higher positions. String numbers run low to high.
Explore the targets and parent scale
Find a landing
Try these chord changes
Original chord suggestions and style prose are preserved for exploration. Some chords venture outside the scale; four-cell blues suggestions are not a timed 12-bar arrangement. Use STUDIO to compose and hear chord-target phrases.
Practice this phrase · show, hear, learn
Your next phrase
Audition uses even eighths (thirds in triplet grid), followed by space to the bar line. The original phrasing cue is an invitation for your own playing.
Phrase positions & playing guide
STUDIO / shape the changes
Compose a loop and explore its chord targets.
BPM counts the denominator note: in 6/8, one beat is an eighth note. Key changes guidance; chord symbols remain as entered.
Compose a progression
Enter chords such as C, Am7, G7b9, C/E. Durations count beats, half-bars or bars. One row makes a looping vamp.
Backing mix
Levels and mutes apply while playing. Adjusting a part selects Custom mix.
Local instrument synthesis. The band leaves bass space for bass practice and a lighter upper register for piano practice. Edits keep the current beat; Stop clears all parts. Optional solo audition is separate from accompaniment.
Ready. Press Play to begin.
Current chord
G = green target · Y = yellow option · R = red tension (expressive, not forbidden). ★ = current phrase note.
Your phrase
Sounding pitches and playable locations. Use the practice panel below for the beat score and synchronized teaching.
PRACTICE WITH ME / ONE PHRASE, YOUR WAY
Make it yours.
Listen → understand → play → improvise → review.
Playable score
Read left to right. Accidentals are explicit on every note, spelled for the key or mode. Guitar and bass staves sound one octave below the written notes (8 beneath the clef). TAB shows the highest string on top; tuning labels are sounding pitches. Piano uses aligned treble and bass staves. Tempo follows the captured workspace’s beat unit.
Exact pitches, rhythm and positions
Onsets and durations below count quarter notes; instrument diagram string numbers run low to high.
Record & review your playing
Recordings stay local on this device. Nothing uploads. Microphone access is requested only when you press Record. Use headphones to avoid recording the example through your speakers. You can complete every practice stage without a microphone.
Default input · monitoring off
B · Microphone only, with no digital backing mixed in. Generated music stays in A / STUDIO and is not an exported audio stem. Use headphones for a clean take.
Download this takeSave sessions & favorite scales
Saved on this browser only. Storage can be cleared or evicted; download a library backup and important takes. Saved sessions include the captured composition or jam settings, phrase and practice settings.